Exhibition Statement:

In terms of process and time, my work incorporates a broad spectrum of applied labor.  Within that spectrum lies colors, textures, and atmospheres rooted in the natural world.  Landscapes can be transformed over æons with the steady flow of river water, the ebb and flow of ocean tides, or the creeping movement of glaciers. Likewise, a flood, earthquake, or volcanic eruption can reshape the earth in a matter of minutes. The procedural spirit of my work pulls from these extremes, and in doing so become metaphors for the ever-shifting landscape and our relationship to it. 

While traditional landscape painting often orients itself as an illustration of nature, my work is concerned with its formation.  Gravity, sedimentation, erosion, deposition, fissuring - and above all else, pressure - are combined and layered in a manner that emphasizes the unpredictability and irregularity of natural processes.

Despite the profusion of links to the natural world, my work also draws attention to the human-made surface upon which it’s built.  These surfaces are uniform and conventional in the sense that they all possess four right angles, a smooth, flat surface, and a convenient scale.  With each new layer of material, their edges become increasingly irregular and their surfaces become increasingly sculptural.  This relationship between surface and applied material deepens the metaphor and connection between humanity and the natural world.